
The term sabi comes from Japanese aesthetics and is a beauty or serenity that comes with age, when the life of the object and its impermanence are evidenced in its patina and wear.
Invisible Hands follows the flow of oil, through a terrain afflicted by the overwhelming production and consumption of superfluous goods. At the end of this viscous river, one finds in our invisible hands, a planet littered with petroleum by-products, the ubiquitous plastics our world is awash with.